This series explores non-normative bodies through drawing, tracing states of transformation across human, animal, and vegetal forms. Drawing from experiences of marginalization, the work reflects on how bodies endure, reorganize, and persist under conditions of fragility.

Rather than depicting identity as fixed, these drawings propose the body as mutable, relational, and in constant negotiation with its environment. Birds, plants, human, and hybrid forms appear not as symbols, but as interconnected modes of survival.

Les Immortales frames resilience as a collective condition—an ecology of bodies shaped by adaptation, care, and persistence.

Inspired by José Esteban Muñoz’s vision of queer futurity and Maja Horn’s reading of queer Caribbean absence, this work insists on presence.